"Can You Feel the Love Tonight?" is in F major and shifts a full step to G in the final few verses.The remake version also starts in F♯ and ends in G, but has an extended sequence where it shifts down to D first, then rather awkwardly transitions back to G. In this case, it's not played for emotional effect, but rather to make the song even more jolly and cheerful. "I Just Can't Wait to Be King" starts in F♯ and shifts into G near the end."Circle of Life" starts out in B♭ major and shifts up a minor third into C♯ major at the end.The Dark Reprise of "For the First Time in Forever" starts out in F♯ major for the first verse, shifts to C minor for Elsa's part, then modulates up to an urgent E major for the final verse."In Summer" starts in E but goes up to F major halfway through the song, where it stays for the end. "Love is an Open Door" begins in D major and goes up a full step for the second verse and chorus.The song then goes into F♯ minor for Elsa's solo, but then modulates up to triumphant G major for Anna's and Elsa's Counterpoint Duet. "For the First Time in Forever" starts in F major for the first verse, then F♯ major for the second verse."Proud Corazón" ends a whole note higher from when it started.The last chorus of "La Llorona" modulates up one whole step.The last verse of "Un Poco Loco" modulates up one whole step.The end of Ernesto's version of "Remember Me" modulates up one half-step.This is about "shifting gears" for dramatic effect or to increase the effective vocal range of a song: sliding up a half or whole step and remaining there for the rest of the song. Please note that this is not a trope about modulation in general - that has its own page. Switching between tonic and dominant for the various parts of the piece (common in music from the 18th century to about 1950, and therefore in earlier, jazz-oriented pop songs).Verse (or A-section) in a minor key, chorus (or B-section) in the relative major key (or vice-versa).The Truck Driver's Gear Change is most often associated with uplifting ballads and many songs by Vocaloid producers. It's becoming something of a Discredited Trope these days, although it still shows up with some frequency in certain genres. The term Truck Driver's Gear Change was apparently coined by this site, which compares the technique to a tired, overworked truck driver performing an unartistic, mechanical function. It typically occurs after a chorus or as part of a bridge and is followed by a repeat of the chorus and often a Fade Out. It is so widespread in popular music that the term "modulation" is sometimes considered synonymous with it, despite technically having a broader meaning. The Truck Driver's Gear Change is a modulation near the end of a song, shifting upwards by some relatively small pitch increment - usually by one semitone (half step) or whole tone (whole step), but occasionally by other intervals. A conversation on Facebook parodying " Seasons in the Sun"
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